Kamāl ud-Dīn Behzād
Guā-māu
Kamāl ud-Dīn Behzād | |
---|---|
Chhut-sì |
Kài-î 1455 kàu 1460 |
Koè-sin |
1535 (hióng-siū 85) |
Resting place | Kamal ê nn̄g-ê lîng-bōo |
Chit-gia̍p | Uē-ka |
Era | Tiong-sè-kí, Timurid bué-kî, Safavid tè-kok tsá-kî |
Chhut-miâ-chok | Jami , Sultan Husayn Bayqara , Ali-Shir Nava'i , Ismail 1-sè ê huē-uē siòng-phìnn |
Kamāl ud-Dīn Behzād (c. 1455/60 – 1535), iah hông kiò-tsò Kamal al-din Bihzad hi̍k-tsiá Kamaleddin Behzād (phosu-gú: کمالالدین بهزاد) sī tsi̍t-ê Pho-su uē-ka, teh Timur ông-tiâu āu-kî hām Safavid Phosu tsá-kî sī Herat hāmTabriz ê hông-ka kang-tsok-sik ê hū-tsik-jîn.[1]
Tôo-siōng
[siu-kái | kái goân-sí-bé]-
A miniature painting by Bihzad illustrating the funeral of the elderly Attar of Nishapur after he was held captive and killed by a Mongol invader.
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Yusef hām Zuleykha
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A miniature painting from the Iskandarnama
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A miniature painting from the Iskandarnama
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The hunting ground.
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Beheading of a King
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Sultan Hussein
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Timur granting audience on the occasion of his accession
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Dancing dervishes (c. 1480/1490)
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Portrait of a dervish
Tsù-kái
[siu-kái | kái goân-sí-bé]- ↑ The encyclopaedia of Islam, "Bihzād". Gibb, H. A. R. (Hamilton Alexander Rosskeen), 1895-1971., Bearman, P. J. (Peri J.) (New pán.). Leiden: Brill. 1960–2009. ISBN 90-04-16121-X. OCLC 399624. ((en))
Tsham-khó bûn-hèn
[siu-kái | kái goân-sí-bé]- Balafrej, Lamia. The Making of the Artist in Late Timurid Painting, Edinburgh University Press, 2019, ISBN 9781474437431
- Brend, Barbara, Islamic Art, London, 1991.
- Chapman, Sarah, “Mathematics and Meaning in the Structure and Composition of Timurid Miniature Painting”, Persica, Vol. XIX, 2003, pp. 33–68.
- Grabar, Oleg, "Mostly Miniatures: An introduction to Persion Painting" Princeton, 2000
- Gray, Basil, Persian Painting, London, 1977.
- Hillenbrand, Robert, Islamic Art and Architecture, London, 1999.
- Lentz, Thomas, and Lowry, Glenn D., Timur and the Princely Vision, Los Angeles, 1989.
- Lentz, Thomas, “Changing Worlds: Bihzad and the New Painting,” Persian Masters: Five Centuries of Painting, ed., Sheila R. Canby, Bombay, 1990, pp. 39–54.
- Mehta, Suhaan. 2016. “Tradition and Tolerance.” Religion & the Arts 20 (3): 336–54. doi:10.1163/15685292-02003004.
- Milstein, Rachel, “Sufi Elements in Late Fifteenth Century Herat Painting”, Studies in Memory of Gaston Wiet, ed., M. Rosen-Ayalon, Jerusalem, 1977, pp. 357–70.
- Rice, David Talbot, Islamic Art, 2nd ed., London, 1975.
- Rice, David Talbot, Islamic Painting: a Survey, Edinburgh, 1971.
- Robinson, Basil W., Fifteenth Century Persian Painting: Problems and Issues, New York, 1991.
- Roxburgh, David J., “Kamal al-Din Bihzad and Authorship in Persianate Painting,” Muqarnas, Vol. XVII, 2000, pp. 119–146.
Tsham-ua̍t
[siu-kái | kái goân-sí-bé]- Hoān-lē lí-lūn (huān-lē lí-lūn, pí-jû, kí-lē, tsu-jî; eng-gí: exemplar theory)
- Ҡ ҡ
- Ԟ ԟ
- Kau-chí téng-chhú sêng-soan pò͘-chèng-sí si (Kau-tsí tíng-tshú sìng-suan pòo-tsìng-sí si/交趾等處承宣布政使司)
Guā-pōo lên-ket
[siu-kái | kái goân-sí-bé]- Video from the Asia Society, US (Eng-gí)
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